Our schedule for the two weeks which soon changed.
- Bowl, paying great attention to the inside
- Rim cut out and rolled over
- Rim rolled over in two places
- Cups from Day 1 with handles. This handle works perfectly for holding and drinking. Bowl ovaled on banding wheel
- Pitcher spout shaped into rim
- Using bull’s tongue on his pitcher
- Pitcher, altered
- Cut out, darting, for shape and handle placement
- Finished
- Pulling handles
- Cut out for spout
- Attaching spout made from a slab of clay
- Handles awaiting attachment
- Pulling a spout
Day 3 was Lidded Jars. I particularly liked this statement of Allegheny’s that moment of beauty such as when a flower petal causes us to pause.
What are the decisions we make in our pots that are part of our artistic expression and how can we cause one to pause?
The lids of a jar can be as beautiful as a pot so if the jar is broken the lid is still a beautiful object.
Day 4 Teapots. How does one start? One thinks about form, about motion, about the feeling of making something beautiful. Allegheny thinks of teapots as being feminine, the making of tea is a ritual, it is nurturing, it is the taking of a moment to slow down. Things to think about, how do we think of beauty, what is beauty, how do we look at the world. These inform our pots. How a finger or tool touches the clay – those are important moments.
- Teapot form
- Spouts and lids
- Thrown handles for teapots
- Throw all parts for the teapot at the same time so the shrinkage is the same
Assembling teapots. If the spout is too low it is hard to pour. Place the handle high otherwise it is too much on the wrist when pouring.